Open, Seminar—Spring
As a far-right ultranationalist movement focused on social hierarchy, tradition, and the subordination of individual rights for the national collective, fascism has been deeply intertwined with religious themes and imagery since it arose in Europe in the early 20th century. As such, this seminar will examine the complex and often paradoxical relationship between religious ideas and fascist political movements in Central Europe during the first half of the 20th century. The course will investigate how religious traditions, symbols, and narratives were mobilized both to legitimize authoritarian, nationalist projects and also to inspire forms of resistance, dissent, and ethical critique in the decades leading up to, during, and immediately following World War II. Focusing on literary, artistic, philosophical, and political texts, the seminar will move beyond a singular focus on Nazi Germany to explore a wider Central European landscape shaped by fascist influence. We will examine responses to fascist movements and regimes in Germany, Hungary, Poland, Austria, Slovenia, Croatia, and Czechoslovakia, attending to both foreign occupation and homegrown forms of authoritarian nationalism. While Nazi domination and its catastrophic consequences will form an unavoidable part of the historical backdrop, the course will emphasize the diversity of fascist ideologies and the range of religious and cultural responses they provoked. Early in the course, we will consider how Christian, mystical, and quasi-religious concepts, such as sacrifice, redemption, mythic origins, and sacred nationhood, were appropriated by fascist thinkers and writers to naturalize violence, exclusion, and obedience. Alongside these pro-fascist or accommodationist texts, we will read religiously inflected critiques that challenged fascism from within theological, ethical, and spiritual traditions, including Catholic, Protestant, Jewish, and heterodox sources. A central focus of the seminar will be the work of dissident writers and artists who, in the face of censorship, persecution, and mass violence, turned to religious symbolism, spiritual language, and philosophical reflection as resources for resistance. Essays, novels, poetry, film, and visual and performance art from across Central Europe will be studied as sites where older traditions were reworked to confront dehumanization, preserve moral agency, and imagine alternative forms of community. These creative responses often forged new spiritual and cultural openings rather than simply returning to inherited orthodoxies. In the final section of the course, we will examine post–World War II reflections on fascism, focusing on how memory, trauma, and responsibility were negotiated in the aftermath of destruction. We will ask how literature, philosophy, and art participated in the construction of collective memory, and whether it is possible to sustain national or cultural identity without reproducing the exclusionary nationalism that fueled fascist movements in the first place. Through close reading, historical contextualization, and comparative analysis, students will gain a nuanced understanding of religion’s ambivalent role in both enabling and resisting fascism, and of the enduring challenges posed by this history for politics, culture, and memory. Along the way we will explore themes that remain as relevant as ever today – technology, power, evil, faith, hope, and the political – all with a view to asking what it might mean to live freely as a human being in modernity.
Faculty