Greek

The Sarah Lawrence College classics program emphasizes the study of the languages and literature of Ancient Greece and Rome. Greek and Latin constitute an essential component of any humanistic education, enabling students to examine the foundations of Western culture and explore timeless questions concerning the nature of the world, the place of human beings in it, and the components of a life well lived. In studying the literature, history, philosophy, and society of the Ancient Greeks and Romans, students come to appreciate them for themselves, examine the continuity between the ancient and modern worlds, and, perhaps, discover “a place to stand”—an objective vantage point for assessing modern culture.

In their first year of study, students acquire proficiency in vocabulary, grammar, and syntax, with the aim of reading accurately and with increasing insight. Selected passages of ancient works are read in the original languages almost immediately. Intermediate and advanced courses develop students’ critical and analytical abilities while exploring ancient works in their literary, historical, and cultural context. Conference projects provide opportunities for specialized work in areas of interest in classical antiquity. Recent conference projects have included close readings of Homer’s Iliad, Aristophanes’s Clouds, Pindar’s Odes, Plato’s Republic, Cicero’s de Amicitia, the poetry of Catullus, and Virgil’s Aeneid, as well as studies of modern theories of myth, Nietzsche’s Birth of Tragedy (in connection with the tragedies of Aeschylus, Sophocles and Euripides), the social implications of Roman domestic architecture, and a comparison of Euripides’s Hippolytus with Racine’s Phèdre.

Greek and Latin will be especially beneficial for students interested in related disciplines, including religion, philosophy, art history, archaeology, history, political science, English, comparative literature, and medieval studies, as well as education, law, medicine, and business. Greek and Latin may also prove valuable to all those who wish to enrich their imagination in the creative pursuits of writing, dance, music, visual arts, and acting.

Greek (Ancient) 2022-2023 Courses

Readings in Intermediate Greek

Intermediate, Seminar—Fall | 3 credits

Qualified students will read selected passages of Homer and Herodotus in Greek. The class will meet twice each week.

Faculty

Intermediate Greek: Poetry and Prose

Intermediate, Small seminar—Spring | 3 credits

In this course, students of Ancient Greek will choose two texts, one by a prose author and one by a poet, for close reading over the semester. Examples of texts might be: Herodotus’ Histories and the Homeric Hymn to Aphrodite, or the poems of Sappho and Plato’s Symposium. Our goal will be to investigate poetic and prosaic literary constructs, review grammar, and to read different types of Ancient Greek texts.

Faculty

Beginning Latin

Open, Seminar—Year

This course provides an intensive introduction to Latin grammar, syntax, and vocabulary, with a view toward reading the language as soon as possible. Close reading of Vergil’s Aeneid in English will accompany intensive language study in the fall. By midsemester, students will be translating authentic excerpts of Latin poetry and prose. During the spring semester, while continuing to develop and refine their knowledge of Latin grammar and vocabulary, students will read selections from Vergil’s Aeneid in Latin.

Faculty

First-Year Studies: Reality Check: Homer, Herodotus, and the Invention of History

FYS—Year

Reality is currently under siege. Millions of people today believe, to their core, things that are demonstrably not true. Are we “each entitled to our own reality,” as some would argue? The ancient Greeks thought otherwise. Some 2,500 years ago, the Greeks began to distinguish muthos (origin of the English word “myth”)—an unverified, unverifiable story—from historiē (origin of the English word “history”), an inquiry into the facts for the purpose of making a rational assessment. Simultaneously, the Ancient Greeks began to reject tyranny and introduce democratic political ideals and institutions. Tyrants, however, require obedient subjects unwilling or unable to fact-check even their most preposterous lies. Today’s autocrats and would-be autocrats bombard us with fictions, even contradictory fictions, so as to eradicate the very concept of objective fact. As individuals, we are losing the ability to assess facts on their merits. We’re losing the ability to learn not only from history but even from our own experience. Succumbing to authoritative speakers, many of us prefer virtue-signaling to real-world problem solving. We’re abandoning verbal persuasion in favor of violence and intimidation. Can democratic ideals and institutions survive if we can no longer distinguish myth from history, fiction from fact? What is the value of evidence-based, logical reasoning? How can we learn from fiction without being deceived by it? Reading and discussing Homer’s Iliad and Odyssey (c. 8th cent. BCE) and Herodotus’s Histories (c. 440s, 430s BCE), we will examine these and other questions that are as vital to human survival and success today as they were centuries ago. This course is designed for students who welcome open-minded critical inquiry and are eager to read texts that are challenging both intellectually and emotionally. During the fall semester, students will meet with the instructor weekly for individual conferences. In the spring, we will meet weekly or every other week, depending on students’ needs and the progress of their conference projects.

Faculty

Metaphysical Poetry

Open, Seminar—Fall

The best lyric poets of 17th-century England have been loosely characterized as “metaphysical poets” because of their “wit”; their intellectual range, rigor, and inventiveness; the versatility and trickery of their poetic strategies; and their remarkable fusion of thought and passion. Masters of paradox, these poets stage and analyze their expressive intensities with technical precision. They eroticize religious devotion and sanctify bodily desire with fearless and searching bravado. They stretch their linguistic tightropes across a historical arena of tremendous political and religious turmoil, in response to which they forge what some critics consider to be early evidences of the ironic self-consciousness of modernity, poetic dramatizations of the Cartesian ego. We will test these claims, as well as the sufficiency of the category “metaphysical,” against the evidence of the poems themselves. We will closely read significant poems of Donne, Jonson, Herbert, Phillips, Herrick, Vaughan, Crashaw, Milton, Marvell, and Behn. We will attend primarily to how they work as poems, looking at argument, structure, diction, syntax, tone, image, and figure. We will also consider their religious, cultural, and psychological implications. Students will prepare three papers based on class readings. Conference work is recommended in correlative topics: the English Bible, Spenser’s The Faerie Queene, Shakespearean and Jacobean drama, or influences on and comparisons to Romantic or Modern English poetry.

Faculty

Introduction to Ancient Greek Religion and Society

Open, Seminar—Fall

Few people dispute the enormous impact that the Ancient Greeks have had on Western culture and even on the modern world in general. This seminar will introduce the interested student to this culture mainly through reading salient primary texts in English translation. Our interest will range broadly. Along with some background reading, we will be discussing mythology (Hesiod), epic hymns and poetry (Homer), history (Herodotus), politics, religion, and philosophy. By the end of the seminar, students should have a basic understanding of the cultural contribution of the Ancient Greeks, as well as a basic timeline of their history through the Hellenistic age.

Faculty