Greek

Intermediate, Seminar—Year

In this course, students will develop their comprehension of Latin grammar, vocabulary, word inflection patterns, and syntax by close reading of selected works of Catullus and Cicero in fall and Ovid and Livy in spring. The ancient Roman Republic lasted 450 years before imploding into a military dictatorship. The democratic republic in the United States, modeled on the ancient Roman Republic, has lasted just 237 years and now confronts forces threatening to replace it with dictatorship or some form of authoritarian populism. Examining works of poetry and prose, both accompanying and following the advent of autocracy in ancient Rome, we will consider the value and limits of literature for exposing, challenging, or affirming hierarchical and tyrannical ideals, institutions, and norms.

Faculty

• Emily Anhalt

First-Year Studies—Year

Where and how did democratic ideals emerge? Throughout the history of the world, hierarchies of power and privilege have predominated. Democracy is not the norm. Democracy is the bizarre exception. But 3,000 years ago, ancient Greek epic poetry began to undermine the moral validity of political hierarchies and tyrannical abuses of power. From the eighth through the fifth centuries BCE, ancient Greek literature cultivated ideals of humanity, equality, and justice vital to sustaining humane, egalitarian values, norms, and institutions. Over centuries, ancient Greeks came to understand—as by now we must—that not only individuals but also groups, both large and small, can wield power tyrannically by using violence and intimidation to subjugate others and silence dissenting opinions. Reading selected works of Homer, Aeschylus, Sophocles, Herodotus, Euripides, Plato, and others, we will investigate how and why the Greeks developed democratic ideals, why they themselves failed to attain them, and how we might do better. This course is reading- and writing-intensive. We will also encounter ideas that are uncomfortable and troubling in various predictable and unpredictable ways. The course is designed for anyone who welcomes open-minded critical inquiry and is eager to read and calmly discuss texts that are challenging, both intellectually and emotionally. In fall, students will meet weekly with the instructor for individual conferences; in spring, individual conferences will be biweekly. 

Faculty

• Emily Anhalt

Open, Seminar—Spring

What is in a feeling, and what does it do? This course will explore how medieval writers understood the emotions—what they called the passions—as forces that move the soul, affect the mind, transform the body, and raise pressing questions about free will and moral responsibility. Because the passions operate at the threshold of the soul and body, virtually every domain of medieval thought had something to say about them—from poetry and medicine to philosophy and contemplative devotion. For instance, physicians like Peter of Spain diagnosed lovesickness and melancholia as genuine medical conditions. Philosophers like Aquinas compiled catalogues of the passions—from joy and sorrow to fear and courage to despair and hope—and offered phenomenological descriptions of how the passions arise through both embodied sensation and ensouled experience. Occitan troubadours like Arnaut Daniel and Italian lyric poets like Cavalcanti and Dante could write of love as the bondage of mind and will or the source of ethical nobility and spiritual freedom. (Dante did both.) Mystics like Walter Hilton and Julian of Norwich explored how emotional awareness could be refined into subtler modes of spiritual attention and how, at the same time, the inmost experience of divine love could be expressed as ecstatic, passionate feeling. In addition to the themes and writers above, this course will examine how the passions open onto questions of habitus and disposition—how repeated action shapes how we feel and how the way we repeatedly feel shapes our action. We will also consider how emotion is at the center of vice and virtue—how the quality of our feeling determines the quality of our inner life and our life with others. With the help of contemporary scholarship, we will approach the medieval passions with historical and phenomenological methods of analysis. Through these lenses, we will see how the passions in the Middle Ages serve as a unique site for comparative intellectual history, spanning disciplines and bridging ancient, medieval, and modern traditions. At the same time, studying the medieval passions offers something more personal: the chance to recover forms of feeling and attention from the past that might expand the borders of our own in the present.

Faculty

• Joseph Romano

Open, Small Lecture—Fall

What is being? What is time? What is justice? What is truth? What is the best way to live, and should we fear death? More than 2,500 years ago in Ancient Greece, a tradition of asking this sort of question developed under the name “philosophy,” which is Greek for “love of wisdom.” Veering away from the mythological and religious traditions dominant at the time, the first writers we now recognize as “philosophers” broke radically new ground for self-understanding and set the stage for modern scientific, political, and theological ideas. In this course, we will read the earliest surviving texts of this tradition by a group of authors who are now known collectively as the “Pre-Socratics.” These include Thales, Pythagoras, Heraclitus, Parmenides, and the Ancient Atomists, to name a few. These texts are fragmentary, since the full works are lost. The ideas that we find in them are creative, inspiring, and often funny. Studying them is an opportunity to reflect on what “philosophy” means and an invitation to philosophize, perhaps becoming philosophers ourselves. This survey course on the origins of philosophy is designed both for beginners, for whom it would serve as an introduction, and for those more experienced in philosophy who wish to enrich their knowledge of its roots. We will accompany our readings of the first philosophers with commentaries by later thinkers, including Friedrich Nietzsche, and with occasional reference to non-Greek or non-philosophical sources.

Faculty

• Roy Ben-Shai