Latin American and Latinx Studies

Images wavered in the sunlit trim of appliances, something always moving, a brightness flying, so much to know in the world.—Don Delillo, Libra

A few cartoons lead to cataclysmic events in Europe. A photograph printed in a newspaper moves a solitary reader. A snapshot posted on the internet leads to dreams of fanciful places. Memories of a past year haunt us like ghosts. What each of these occurrences has in common is that they all entail the force of images in our lives, whether these images are visual or acoustic in nature, made by hand or machine, circulated by word of mouth, or simply imagined. In this seminar, we will consider the role that images play in the lives of people in various settings throughout the world. In delving into terrains at once actual and virtual, we will develop an understanding of how people throughout the world create, use, circulate, and perceive images and how such efforts tie into ideas and practices of sensory perception, time, memory, affect, imagination, sociality, history, politics, and personal and collective imaginings. Through these engagements, we will reflect on the fundamental human need for images, the complicated politics and ethics of images, aesthetic and cultural sensibilities, dynamics of time and memory, the intricate play between the actual and the imagined, and the circulation of digital images in an age of globalization. Readings will include a number of writings in anthropology, art history, philosophy, psychology, cultural studies, and critical theory. Images will be drawn from photographs, paintings, sculptures, drawings, films, videos, graffiti, religion, rituals, tattoos, inscriptions, novels, poems, road signs, advertisements, dreams, fantasies, phantasms, and any number of fabulations in the worlds in which we live and imagine.

Transnational migration, human-animal relations, and American community life are but a few of the cultural realities that anthropologists have effectively studied and written about. This is no easy task, given the substantial difficulties involved in understanding and portraying the concerns, activities, and lifeworlds other than one’s own. Despite these challenges, ethnographic writing is generally considered one of the best ways to convey a nuanced and contextually rich understanding of people’s experiences in life. To gain an informed sense of the methods, challenges, and benefits of ethnographic writing, students in this course will try their hands at a concerted work of ethnographic writing. Along with undertaking a series of ethnographic writing exercises, students will be encouraged to craft a fully-realized piece of ethnographic writing that conveys something of the features and dynamics of a particular world in lively, accurate, and comprehensive terms. Along the way, and with the help of anthropological writings that are either exceptional or experimental in nature, we will collectively think through some of the most important features of the craft of ethnographic writing from the use of field notes and interviews, the interlacing of theory and data, the author’s voice in ethnographic prose, and the ethical and political responsibilities that come with any attempt to understand and portray the lives of others. This seminar will work best for students who already have a rich body of ethnographic research materials to work with, such that they can quickly delve into the intricacies of writing about their chosen subject.

This interdisciplinary seminar in environmental studies and anthropology focuses on the interconnected social problems of migration and environmental crisis. Experts project that, in the coming decades, climate crisis will increasingly propel people to migrate, as they flee extreme weather events and areas with depleted natural resources. As migrants in the Global South and in regions disproportionately affected by industrial extraction and environmental disaster face exceedingly untenable living conditions, both internal and international migration will continue to rise. While this prediction is often posed as a problem of the near future, displacement and forced migration are not new phenomena. Indeed, the close connections between industrial extractive economic projects, land dispossession, forced migration, and environmental crisis are evident in both past and present times. Through our course readings across environmental studies, anthropology, migration studies, and other relevant disciplines, we will focus on contemporary problems and their historical legacies to ask questions like: What is at stake for people impacted by climate change? How should we understand the relationship between environmental concerns and human mobility, both historically and now? What are the links between environmental racism, land rights, and migration? How might we analyze sociolegal processes, economic projects, and both local and international politics in relation to the natural world and the movement of people, problems, and ideas across borders? How does climate crisis affect particular groups, such as immigrants, Indigenous peoples, and other historically marginalized or disenfranchised communities? How might resistance movements focused on immigrant rights inform efforts toward climate justice, and vice versa? Our readings will address a wide variety of ethnographic contexts and geographic landscapes, taking us from the fishing villages of Ghana to the urban construction sites of Italy, from the highlands of Peru to the plains of Wyoming, from rural Yucatán to downtown San Francisco, and from Puerto Rico to New York, among other places. Students may opt to conduct original fieldwork or work with local organizations as part of their conference work for this course.

Native American and Indigenous peoples today protect 80 percent of the world’s biodiversity; and Indigenous ways of living in relation to the natural environment, in keeping with Indigenous ecological knowledge and practices, have sustained ecosystems for centuries. Yet, throughout history, settler colonial and industrial extractive projects have displaced native peoples and instigated the environmental crises that plague our current world and threaten our future survival. In response to these destructive incursions on their ancestral lands, Indigenous peoples in the Americas and beyond have long been at the forefront of resistance movements against environmentally exploitative projects, engaged in an ongoing struggle that links Indigenous sovereignty with care for the natural world. In this interdisciplinary environmental studies and anthropology seminar, we will explore the humanistic concerns and ethics at stake regarding people’s role in ecosystems, our collective responsibility to protect the natural world, and our work toward environmental and climate justice as intimately linked to Indigenous ecological knowledge, governance, and rights. This course will include readings on Native American and Indigenous oral history and literature; land dispossession, displacement, and migration; ecological knowledge and practices; decolonizing food systems, agriculture, and sustainability; health, medicine, and healing; resistance movements and social alliances; and the intersections of Indigenous sovereignty, climate change, and environmental justice. We will explore Indigenous knowledge and decolonizing approaches as we re-envision an ethical path to a sustainable future that integrates environmental protection with social justice. This course will fully participate in the spring 2024 Sarah Lawrence Interdisciplinary Collaborative on the Environment (SLICE) Mellon course cluster, with a focus on environmental and climate justice and a strong involvement with local organizations. The semester will include two interludes during which students will engage in collaborative projects across disciplines and in partnership with students from Bronx Community College. Students will have the opportunity to develop field-based conference projects.

This seminar asks how contemporary immigration shapes individual and collective identity across the life course. Adopting an interdisciplinary approach that bridges cross-cultural psychology, human development, and psychological anthropology, we will ask how people’s movement across borders and boundaries transforms their sense of self, as well as their interpersonal relations and connections to community. We will analyze how the experience of immigration is affected by the particular intersections of racial, ethnic, class, gender, generational, and other boundaries that immigrants cross. For example, how do undocumented youth navigate the constraints imposed by “illegalized” identities, and how do they come to construct new self-perceptions? How might immigrants acculturate or adapt to new environments, and how does the process of moving from home or living “in between” two or more places impact mental health? Through our close readings and seminar discussions on this topic, we seek to understand how different forms of power—implemented across realms, including state-sponsored surveillance and immigration enforcement, language and educational policy, health and social services—shape and constrain immigrants’ understanding of their place in the world and their experience of exclusion and belonging. In our exploration of identity, we will attend to the ways in which immigrants are left out of national narratives, as well as the ways in which people who move across borders draw on cultural resources to create spaces and practices of connection, protection, and continuity despite the disruptive effects of immigration. In tandem with our readings, we will welcome scholar-activist guest speakers, who will present their current work in the field.

The study of law is integral to the study of political economy. This fundamental premise is the point of departure for this course. While their politics were radically different, the British political economist Jeremy Bentham and historian E. P. Thompson both emphasized the centrality of law in society. Bentham stated: “Property and law are born together and die together. Before laws were made, there was no property; take away laws, and property ceases” (Bentham 1840, p. 139. Cited from Singer 2015, p. 15). On the basis of his historical work, Thompson concluded: “For I found that law did not keep politely to a ‘level’ but was at every bloody level; it was imbricated within the mode of production and productive relations themselves (as property rights, definitions of agrarian practice)…” (Thompson 1978, p. 96). Using the study of the subprime mortgage crisis of 2007/2008 as its point of departure, this course will discuss the relationship between law and money (which is, after all, a form of property), along with the nature and legal underpinnings of finance and financial crises. The course will deal with banking, central banking, the nature of public (sovereign) debt, and international money. As a course in the subdisciplines of law and economics, this class will introduce students to mainstream and critical approaches to both law and economics in regard to money, finance, markets, and globalization and will contrast the law and political economy framework with the conventional (or neoclassical) treatment of money and finance. It will be demonstrated throughout this course that core issues in law, such as those pertaining to property and contracts, are deeply embedded in all economic phenomena—including monetary ones.

This interdisciplinary seminar in environmental studies and anthropology focuses on the interconnected social problems of migration and environmental crisis. Experts project that, in the coming decades, climate crisis will increasingly propel people to migrate as they flee extreme weather events and areas with depleted natural resources. As migrants in the Global South and in regions disproportionately affected by industrial extraction and environmental disaster face exceedingly untenable living conditions, both internal and international migration will continue to rise. While this prediction is often posed as a problem of the near future, displacement and forced migration are not new phenomena. Indeed, the close connections between industrial extractive economic projects, land dispossession, forced migration, and environmental crisis are evident in both past and present times. Through our course readings across environmental studies, anthropology, migration studies, and other relevant disciplines, we will focus on contemporary problems and their historical legacies to ask questions like: What is at stake for people impacted by climate change? How should we understand the relationship between environmental concerns and human mobility, both historically and now? What are the links between environmental racism, land rights, and migration? How might we analyze sociolegal processes, economic projects, and both local and international politics in relation to the natural world and the movement of people, problems, and ideas across borders? How does climate crisis affect particular groups, such as immigrants, Indigenous peoples, and other historically marginalized or disenfranchised communities? How might resistance movements focused on immigrant rights inform efforts toward climate justice, and vice versa? Our readings will address a wide variety of ethnographic contexts and geographic landscapes, taking us from the fishing villages of Ghana to the urban construction sites of Italy, from the highlands of Peru to the plains of Wyoming, from rural Yucatán to downtown San Francisco, and from Puerto Rico to New York, among other places. Students may opt to conduct original fieldwork or work with local organizations as part of their conference work for this course.

This course examines Latin America in the making. From the time of Andean ayllus to the contemporary battles between the populist left and the populist right, this lecture course offers a survey of the more than five centuries of the history of the region that we know as Latin America. Although the region’s history is deeply embedded in global processes of capitalist expansion, imperial domination, and circulation of Western ideas, this course attempts to look at Latin America from the inside out. The course examines the ways in which landowners and campesinos, intellectuals and workers, military blacks, whites, and mestizos understood and shaped the history of this region and the world. The course will examine the rise and fall of the Aztec and Inca empires, the colonial order that emerged in its stead, independence from Iberian rule, and the division of the empire into a myriad of independent republics or states searching for a “nation.” In the second part of the course, by focusing on specific national trajectories, we will ask how the American and Iberian civilizations shaped the new national experiences and how those who made claims on the “nation” defined and transformed the colonial legacies. In the third and final portion of the course, we will study the long 20th century and the multiple experiences of, and interplay between, anti-Americanism, revolution, populism, and authoritarianism. We will ask how different national pacts and projects attempted to solve the problem of political inclusion and social integration that emerged after the consolidation of the 19th-century liberal state. Using primary and secondary sources, both fiction and film, the course will provide students with an understanding of historical phenomena such as mestizaje, caudillismo, populism, reformism, corruption, and informality, among other concepts key to the debates in contemporary Latin America. The course meets for one weekly lecture and one weekly group conference. Aside from mandatory attendance and participation, the requirements for the course include an individual exam, a collaborative research project, and a primary source analysis.

José Esteban Muñoz (1967-2013) was an author, professor, and alumnus of Sarah Lawrence College (class of 1989). As a theorist working at the intersections of Latinx studies, queer theory, performance studies, and affect theory, his scholarship serves as a foundation for what is now known as queer-of-color critique. Muñoz challenged norms of queer theory that failed to account for intersectionality and the lives of racially-minoritized communities. His writing draws upon examples from film, TV, music, performance art, and theatre to describe survival strategies, kinship formations, and the pursuit of utopia by queers of color. In this course, we will read Muñoz’s works in the context of a lineage of queer-of-color scholars. Texts will include “Ephemera as Evidence” (1996), Disidentifications (1999), “Feeling Brown, Feeling Down” (2006), Cruising Utopia (2009), and The Sense of Brown (2020, published posthumously). Additionally, we will immerse ourselves in the theoretical material of Muñoz’s inquiry by watching the films, listening to the music, and viewing the art that inspired his works. Lastly, we will investigate the ways in which Muñoz’s legacy continues in the decade since his passing. This course is recommended for students with an interest in queer studies or queer-of-color critique, as well as those interested in the application of visual and performing arts to queer theoretical writing.

In this course, we will examine fictional works from all over the Spanish-speaking world, as well as a small number of representative Luso-Brazilian texts originally written in Portuguese. We will begin our exploration by reading pioneering works by Fernando Pessoa (Portugal) and Emilia Pardo-Bazán (Spain). We will then proceed to study the legacy of foundational authors of the Latin American canon, including Jorge Luis Borges (Argentina), Gabriel García Márquez (Colombia), Juan Rulfo (Mexico), and María Luisa Bombal (Chile). As we read, we will analyze the sociopolitical and aesthetic implications of a number of concepts associated with the literatures of the Spanish-speaking Americas—such as the notion of “magical realism,” a term that needs careful deconstruction since it has profound connections with forms of fantasy practiced globally in different literary traditions. We will pay careful attention to the African and indigenous roots of the Latin American imagination as it blended with the legacy of European literature. Fiction written by women authors will constitute one of our main lines of investigation. In this context, we will study fictions by Clarice Lispector (Brazil), Rosario Ferré (Puerto Rico), and Rosario Castellanos (México), among others. The essential goal of this course is to acquire and develop critical reading and writing skills. Active participation in class debates on the different literary texts under study will be an essential factor of the course work. Throughout the semester, you will be required to keep a handwritten journal in which you will record your trajectory in the class. Periodically, you will write short, formal reflections and analytical commentaries discussing aspects of the books read (frequency to be determined). We will meet in individual conferences on a weekly basis in the fall and biweekly in the spring. Each term, you will work on a specific project whose nature and scope will be discussed with me at the beginning of each term. At the end, you will produce a paper in the form of an essay (length to be determined). After a thorough examination of canonical texts in the fall, the spring semester will center on the study of recent Latin American literary works and their connections with fiction produced in other parts of the world.

Many of the works of Jorge Luis Borges—the highly influential, 20th-century Argentine writer and oft-cited founder of the magic realism literary genre—mirror mathematical concepts in profoundly intelligent and strikingly imaginative ways. Borges’ writings—primarily short fictions but also essays and poetry—often introduce alternate realities that warp standard notions of time, space, and even existence. Borges' works serve to uncover intriguing frictions between competing notions in the foundations of mathematics: the sensible vs. the paradoxical (logic), the infinite vs. the infinitesimal (set theory), the discrete vs. the continuous (analysis), the symmetric vs. the distorted (fractals and chaos), the convergent vs. the divergent (limits), and the likely vs. the impossible (probability). Not restricting itself to mathematics, this course will also explore themes and images in Borges’ works from philosophical, mythological, historical, scientific, psychological, and literary perspectives. Student conference work may focus upon other explorations at the intersection of literature, magic realism, mathematics, philosophy, etc. This course is intended for the student who is curious and open-minded though had never planned to study mathematics at the college level.

The cry that “All politics is local!,” popularized in the 1990s, pointed out that voters were often motivated by matters of daily life rather than abstract national issues. Candidates could get more votes by creating jobs at the local factory, it claimed, than by ending a long-running war. In the present political environment, the phrase’s meaning has changed. Major national issues of the day—as wide-ranging as book bans, policing, and environmental protection—are themselves matters of local life and community survival. The questions they raise about morality and democracy no longer seem abstract but urgent. In this context, local political organizing has gained special importance as the site where moral struggles are playing out, often in quiet, long-running projects away from the news cameras. The seminar will take students inside the Westchester People’s Action Coalition (WESPAC) to study local politics and learn directly from organizers. How do local communities draw on larger national debates to build power and achieve change? How do organizers narrate local issues in terms of “abstract” values—like shared responsibility to each other, the planet, and the future—to campaign for policies that seek to change the way we live? Students will tailor much of this course to their interests, pursuing a conference project on one local issue area either working with WESPAC or independently. (Likely possibilities include racial justice, decarceration, police accountability, Indian Point, worker cooperatives, public banking, Middle East policy, and social-forum organizing.) If students choose, they may do some classwork on-site with WESPAC organizers.

This seminar asks how contemporary immigration shapes individual and collective identity across the life course. Adopting an interdisciplinary approach that bridges cross-cultural psychology, human development, and psychological anthropology, we will ask how people’s movement across borders and boundaries transforms their sense of self, as well as their interpersonal relations and connections to community. We will analyze how the experience of immigration is affected by the particular intersections of racial, ethnic, class, gender, generational, and other boundaries that immigrants cross. For example, how do undocumented youth navigate the constraints imposed by “illegalized” identities, and how do they come to construct new self-perceptions? How might immigrants acculturate or adapt to new environments, and how does the process of moving from home or living “in-between” two or more places impact mental health? Through our close readings and seminar discussions on this topic, we will seek to understand how different forms of power—implemented across realms, including state-sponsored surveillance and immigration enforcement, language and educational policy, health and social services—shape and constrain immigrants’ understanding of their place in the world and their experience of exclusion and belonging. In our exploration of identity, we will attend to the ways in which immigrants are left out of national narratives, as well as the ways in which people who move across borders draw on cultural resources to create spaces and practices of connection, protection, and continuity despite the disruptive effects of immigration. In tandem with our readings, we will welcome scholar-activist guest speakers, who will present their current work in the field.

Using US-based artist Sarah Sze’s remark, “Great protests are great art works,” as its inspiration, this seminar explores the relationship between art, collective ideas, and social change within the context of social movements. We begin by discussing the relationship between aesthetics and the social sciences, focusing on a sociological notion of art as a collective and inherently social process. Our study includes the work of social theorists Antonio Gramsci, Pierre Bourdieu, and Theodor Adorno, whose works not only illuminate how public culture communicates collective ideas but also how the latter is imbricated with existing power structures and social hierarchies. These critical frameworks will help us investigate the modern art world, exploring how artistic institutions and movements are sites that both perpetuate and resist authoritative ideologies. In the second half of the semester, students will use these frameworks to explore the role of culture and art within collective social movements. We will investigate several questions, including: What defines a social movement and what social conditions produce social movements? How are art and aesthetics used within social movements to communicate ideas and strengthen communities? In what ways do movements deploy art as a form of social resistance or authority? Our discussions will particularly attend to grassroots movements within historically marginalized communities. Throughout the semester, students will also learn about the benefits of visual methodologies and how social scholars use them to understand collective culture and social change. For conference, students will select a specific social movement, exploring how art is deployed within the movement for collective resistance or control. Possible topics include (but are not limited to) critical analysis of an artistic institution, comparative analysis of how different contexts of resistance deploy shared artistic mediums, or the use of art within a given movement over time. While class discussions will primarily focus on the United States, students are also invited to explore the relationship between art and social movements in other social locations.

By covering both “classical” and “contemporary” sociological theories, this course is designed to provide students with a well-rounded understanding of sociological thought and its evolution. The main objective of the course is to introduce theoretical perspectives within sociology and how those theories have shaped the boundaries of the discipline. We will begin by exploring the concept of “sociological imagination.” Building upon that preliminary understanding, we will examine certain core sociological concepts such as class, race, gender, culture, power, institutions, and identity. While recognizing the lasting impact of sociology’s pioneering theorists—Durkheim, Weber, and Marx—we will also explore approaches that critically engage and problematize aspects of the “canon.” Our examination extends to encompass contemporary perspectives, including feminist theory, postcolonial theory, and race critical theories. Incorporating these contemporary sociological approaches, we will gain multifaceted insights into the complex interplay between sociological constructs and broader societal contexts. As the course draws to a close, students are expected to leave with a deeper appreciation of the complexity of society and the expanded array of theories through which it can be examined. Group conferences will be centered on research on related topics of students’ interest, as well as engaging in creative group projects.

Using US-based artist Sarah Sze’s remark, “Great protests are great art works,” as its inspiration, this seminar explores the relationship between art, collective ideas, and social change within the context of social movements. We begin by discussing the relationship between aesthetics and the social sciences, focusing on a sociological notion of art as a collective and inherently social process. Our study includes the work of social theorists Antonio Gramsci, Pierre Bourdieu, and Theodor Adorno, whose works not only illuminate how public culture communicates collective ideas but also how the latter is imbricated with existing power structures and social hierarchies. These critical frameworks will help us investigate the modern art world, exploring how artistic institutions and movements are sites that both perpetuate and resist authoritative ideologies. In the second half of the semester, students will use these frameworks to explore the role of culture and art within collective social movements. We will investigate several questions, including: What defines a social movement and what social conditions produce social movements? How are art and aesthetics used within social movements to communicate ideas and strengthen communities? In what ways do movements deploy art as a form of social resistance or authority? Our discussions will particularly attend to grassroots movements within historically marginalized communities. Throughout the semester, students will also learn about the benefits of visual methodologies and how social scholars use them to understand collective culture and social change. For conference, students will select a specific social movement, exploring how art is deployed within the movement for collective resistance or control. Possible topics include (but are not limited to) critical analysis of an artistic institution, comparative analysis of how different contexts of resistance deploy shared artistic mediums, or the use of art within a given movement over time. While class discussions will primarily focus on the United States, students are also invited to explore the relationship between art and social movements in other social locations.

The aim of this course is to enable students without previous knowledge of the language to develop the skills necessary to achieve effective levels of communication in Spanish at a basic level. From the start, students will be in touch with authentic language materials in the form of films, TV series, video clips, documentaries, newspaper articles, and songs, as well as short stories and poems. In the regular class meetings, we will actively implement a wide range of techniques aimed at creating an atmosphere of dynamic oral exchange. The study of grammar will take place by combining the theoretical study of morphological and syntactic structures with the exploitation of everyday situations through the incorporation of a wide set of functional-contextual activities and resources. An important component of this class is group work. Students will participate in several collaborative projects with fellow members of the class throughout the semester. Weekly conversation sessions with the language assistant are an integral part of the course.

This class is for students who have had some experience with Spanish but are still laying the foundations of communication and comprehension. We will do a thorough review of basic grammatical, lexical, and syntactical concepts at a more accelerated pace than the regular Beginning Spanish class. Working with music, visual art, film, and newspaper articles from both Latin America and Spain, students will develop the ability to navigate real-life situations and will expand their vocabulary through group exercises with a communicative focus. Weekly conversation sessions are also a fundamental part of this course.

This course is designed for students who have at least one year of Spanish at the college level or more in high school. Through extensive grammar review and engagement with authentic materials, students will broaden their vocabulary, hone their verbal and written communication, as well as improve their reading and analytical skills. We will discuss topics relevant to Latin American societies—such as health, education, migration, environmental concerns, gender and sexuality, race, historical memory, and technology—through poetry, short stories, documentaries, films, music, and legislation. We will carefully discuss the cultural productions of Samanta Schweblin, Andrés Wood, Valeria Luiselli, Elizabeth Acevedo, Sebastián Borensztein, and Cristina Cabral, among many others. In addition to class time, you will complete an individual conference project each semester and attend a conversation session every week with a language tutor.

What is the reality of the Caribbean beyond stereotypes of a tropical paradise for vacationers from abroad? What can the region teach us about art, politics, and revolution? In this class, we will consider different definitions of, and approaches, to the Caribbean and its positioning in relation to Latin America, Europe, and the United States regarding questions of race and ethnicity, colonialism and slavery, revolution, gender and sexuality, migration, and diaspora. We will analyze literature, theory, art, film, and music by the likes of Alejo Carpentier, Fernando Ortiz, Wilfredo Lam, and Sarah Gómez. This discussion-based course is intended for students who wish to further hone their communication and comprehension skills through advanced grammar review.

In this seminar, we will analyze how Latin American women reflected on traditional gender roles, heteronormative standards, intricate racial systems, class dynamics, technology, and environment concerns in their literary and cinematographic works. Through advanced grammar review and writing workshops, students will hone their communication, analytic, and essay-writing skills in Spanish. Readings include texts by Aida Cartagena Portalatín, Cristina Cabral, Gabriela Mistral, and María Fernanda Ampuero; films include La ciénaga, El último verano de la Boyita, and Fever Dream, among many others. Students will complete an individual project.

What lessons can we draw from contemporary Latin American and Latinx films about Black subjects’ perceived and actual presence in these societies? How can the seventh art shape our perceptions and understanding of hegemonic ideologies about Blackness circulating in Latin American societies? In this seminar, we will critically reflect on these questions by analyzing films produced in the last two decades centering on the theme of Afro-Latin American and Afro-Latinx’s nuanced experiences. Alongside learning the vocabulary and developing tools for basic film analysis, we will discuss polemics around authorship in cinema. Through advanced grammar review and writing workshops, students will hone their communication, analytic, and essay-writing skills in Spanish. Films include Afroargentinos, Chocó, Pelo malo, Entre fuego y agua, and La soledad, among many others. Students will complete an individual project.

Since the early 20th century, artists have explored performance art as a radical means of expression. In both form and function, performance pushes the boundaries of contemporary art. Artists use the medium for institutional critique, social activism, and to address the personal politics of gender, sexuality, and race. This course approaches performance art as a porous, transdisciplinary medium open to students from all disciplines, including painting, drawing, printmaking, photography, sculpture, video, filmmaking, theatre, dance, music, creative writing, and digital art. Students learn about the legacy of performance art from the 1970s to the present and explore some of the concepts and aesthetic strategies used to create works of performance. Through texts, artists’ writings, video screenings, and slide lectures, students are introduced to a range of performance-based artists and art movements.

This is a course for creative writers who are interested in exploring nonfiction as an art form. We will focus on reading and interpreting outside work—essays, articles, and journalism by some of our best writers—in order to understand what good nonfiction is and how it is created. During the first part of the semester, writing will be comprised mostly of exercises and short pieces aimed at putting into practice what is being illuminated in the readings; in the second half of the semester, students will create longer, formal essays to be presented in workshop.

Are you going to ask where I am? I'll tell you—giving only details useful to the State... —Pablo Naruda, Letter to Miguel Otero Silva, 1948.

What might it mean for a writer to be useful to a state? How have states used writers, witting and unwitting, in projects aimed at influence and hegemony? How might a state make use of language as a weapon? How might a state inflect and influence the intimacy between a writer and what they may write? What might it mean for a writer to attempt to avoid being useful to a state? In this class, we’ll discuss an array of choices that writers have made in relation to state power, focusing particularly on the United States from just after World War II until the present. You’ll be asking to read excerpts from four books: Joel Whitney’s Finks: How the CIA Tricked the World’s Best Writers; Frances Stonor Saunders’ The Cultural Cold War: The CIA and the World of Arts and Letters; Eric Bennett’s Workshops of Empire: Stegner, Engle, and American Creative Writing During the Cold War; Peter Dale Scott’s long poem, Coming to Jakarta; and Dionne Brand’s Inventory. This is not a history or literature class: Our lens will be that of a writer, using deep study and playful practice to figure out the dilemmas and best practices of the present. Although this is a lecture class, with a limit of 30 students, you’ll be asked to participate, improvise, and do some class reading and writing, work with a partner, as well as participate in one group conference a week often focused on in-class writing exercises. The only prerequisite is the courage to think out loud with other people; aka, the courage required to learn.