Marion Wilson

This drawing class creates works on paper in watercolor, ink, and collage using the human form while considering the ways in which the body has been depicted in art of the 21st century. Feminist artists and BIPOC artists have transformed the way we see and construct the world and how the figure is used in art. Borrowing a conceptual frame, in part from an exhibition curated by Apsara Di Quinzio at Berkeley Art Museum (2022), student assignments will include the following: returning the gaze, the body in pieces, absence and presence, gender alchemy, activism, domesticity and labor. In the first half of the class, students can draw directly with a model present in the classroom; the second half will introduce alternative substrates, including medical textbooks, fashion magazines, and collage. Artists will be introduced to the work of Louise Bourgeois, Jenny Holzer, Lynn Hershman Leeson, Luchita Hurtado, Sarah Lucas, Mary Minter, Kiki Smith, Lorna Simpson, Karen Finley, Kara Walker, Rona Pondick, Simone Leigh, Zanele Muholi, Wangechi Mutu, Mary Kelly, Janine Antoni, Carolee Schneeman, Kerry James Marshall, Lyle Ashton Harris, Bob Flanagan, and Féliz Gonzalez Torres.

This course uses water-based media in both traditional and nontraditional ways to create evocative paintings on paper, with pigments (both art and non-art) suspended in water. Watercolor and gouache are two of the oldest pigment-based media and continues to be used widely by artists, illustrators, designers, and architects. This class will specifically focus on color and the effects of layering, transparency, translucency, and absorbency. Students will be introduced to a range of brushes, sponges, paper types, paint media, and techniques. We will use landscape, portraiture, and other subject matter to represent water, light, flesh, atmosphere, and solid earth.  In a final section of this course, we will introduce sustainable painting practices by introducing organically created pigments. Artists surveyed include Charles Burchfield, Anselm Kiefer, Marcel Dumas, Winslow Homer, Egon Schiele, Vik Muniz, Dana Sherwood, Tattfoo Tan, Taylor Davis, Laylah Ali, and Marcel Dzama.

This course offers both a traditional and a contemporary approach to drawing. Students will gain an overview of basic drawing terms and practices, including line, mass, light and shadow, and the use of black-and-white media. Sketchbooking is an important part of the class practice. Additionally, students will be introduced to principles of color through the use of watercolor, gouache, and ink. This class will introduce some basics of color theory, color mixing and the effects of layering, transparency, translucency, and absorbency inherent in the watercolor medium. We will use landscape, portraiture, and other subject matter to represent water, light, flesh, atmosphere, and solid earth. In your conferences, you will be able to explore a specific theme or content. In a final sequence of this class, students will learn about sustainable contemporary art practices, including organically created pigments.

This course uses water-based media in both traditional and nontraditional ways to create evocative paintings on paper, with pigments (both art and non-art) suspended in water. Watercolor and gouache are two of the oldest pigment-based media and continues to be used widely by artists, illustrators, designers, and architects. This class will specifically focus on color and the effects of layering, transparency, translucency, and absorbency. Students will be introduced to a range of brushes, sponges, paper types, paint media, and techniques. We will use landscape, portraiture, and other subject matter to represent water, light, flesh, atmosphere, and solid earth.  In a final section of this course, we will introduce sustainable painting practices by introducing organically created pigments. Artists surveyed include Charles Burchfield, Anselm Kiefer, Marcel Dumas, Winslow Homer, Egon Schiele, Vik Muniz, Dana Sherwood, Tattfoo Tan, Taylor Davis, Laylah Ali, and Marcel Dzama.