Kristin Zahra Sands

In current global circumstances, Islam is all too frequently represented solely in terms of political and militant ideologies. For those who wish to dig deeper, there are the rich and varied traditions of classical religious scholarship and jurisprudence. But to look at Islam through these lenses alone is to miss alternate sensibilities that are just as important in providing the material from which many Muslims construct their identities. In 1988, the Egyptian author Naguib Mahfouz became the first Muslim writer to win the Nobel prize in literature. Although Mahfouz was one of the first to adopt the format of the novel, in recent years many new writers emerging from Muslim majority and minority areas around the world have found broad audiences. Their works embrace, resist, reject, transmute, and/or show nostalgia for the beliefs and practices with which the authors grew up or have adopted. As natives, immigrants, third culture, or converts, some of the writers to be explored here have actively promoted themselves as Muslim writers, while others question this label or view it as only one signifier of many. The writings that have been selected will be ones that deal substantially with issues of Muslim identity. All of them were either written in English or have been translated into English. No prior knowledge of Islam is necessary to take this course.

It has now been more than 20 years since the attacks on the World Trade Center and the Pentagon on September 11, 2001. How have perceptions changed about the events that occurred that day? Shortly after the attacks, then-President George W. Bush insisted that Islam was not to blame and, instead, framed the battle ahead as “the war on terror.” But what about those who insisted that what had happened was an almost inevitable result of the “clash of civilizations”? How did Osama bin Laden and al-Qaeda frame the narrative and their part in it? What kinds of arguments were presented to justify the attack and the US military interventions that followed? In the wake of the attacks on 9/11, what has been called the “Islamophobia industry” developed and flourished, taking full advantage of new forms of media. What role have both mainstream and alternative media played in how Muslims have been portrayed and the discrimination that they have faced in the years since 9/11? Ten years after the attacks, the 9/11 Memorial and Museum opened in New York City. How have this site and other memorials shaped the collective memory of the events, as well as the curriculum being taught to a generation born after 2001? In addition to the architects of these memorials, artists, writers, and filmmakers have explored the many religious, political, and social dimensions of the 9/11 attacks and their aftermath. How have these works of imagination expanded the ways in which people have made sense of, and found meaning in, painful events? While this seminar is being offered as a religion course, the approach is an interdisciplinary one—drawing upon readings and other materials from a variety of academic, artistic, and literary fields.

Muslim mystics have left us with a vast body of literature that explains the faculties and capabilities of human beings. These theoretical writings go hand in hand with the experiential dimension of Sufi practice, which includes the careful and diligent cultivation of spiritual, mental, emotional, and physical disciplines. The purpose of their path, as they often label their thought and practice, goes beyond that of religious salvation—at least as understood in the usual sense. The goal might be best described as a desire to attain intimate knowledge of the true nature of reality, as in the saying of the Prophet Muhammad: “Our Lord, show us things as they really are.” Following another saying of the Prophet, “He who knows himself, knows his Lord,” Sufis have insisted that this deeper knowledge can only be accomplished by a greater understanding of oneself. This necessarily involves the deconstruction of any solid or static notions about what is perceived to be the self. According to Sufis, what we think of as ourselves is really a cacophony of forces from within and without that flow through and interact with different faculties within us. The spiritual disciplines in which Sufis immerse themselves are intended to destabilize the false self by enabling the practitioner to become more conscious of these forces and faculties. Furthermore, according to Sufis, there is a strong relationship between our level of awareness, our attitudes and behaviors, and the way in which we perceive reality. Changes within us change the reality that seems to be outside of us. Through a series of readings from Sufi figures in both the past and the present, this course will explore their systematic exposition of the “sciences of the soul.”

To watch a Muslim kiss the Qur’an is to recognize that this is not a “book” in the ordinary sense of the word. There is an art to reciting its verses and an art to its calligraphy. The uncovering of its meanings has been variously understood by Muslims to be a matter of common sense, diligent scholarship, or profound inspiration. In this seminar, we will begin by studying the style and content of the Qur’an. Some of the themes that may be discussed are the nature and function of humans and supernatural beings, free will and determinism, the structure of this and other worlds, God’s attributes of mercy and wrath, gender and family relations, other religions, and the legitimate use of violence. We will also look at the types of literature that developed in response to the Qur’an in texts ranging from the entertaining stories of the prophets, to scholastic theological and philosophical analysis, to poetic mystical insights. Contemporary writings written by Muslims will be included that mine the riches of the classical heritage of Qur’anic exegesis while grappling with the difficulties of dealing with a text that originated in seventh-century Arabia.

When presidential candidate Donald Trump said, “I think Islam hates us,” and called for a ban on Muslims entering the United States, his words echoed and amplified the confusions and prejudices of many Americans. Paradoxically, once Trump became president, his first international visit was to Saudi Arabia—and photos show him holding hands with King Salman as they walked together. The disconnect between Trump’s words and actions was consistent with the long and complicated history that the United States has had with Islam and Muslims. Thomas Jefferson was intrigued by the Qur’an and Islamic law and argued that Muslims should be eligible for American citizenship, yet he remained silent about the enslaved Muslims working on his own plantation. The hypothetical Muslim worked well for Jefferson’s argument for freedom of religion in the new country but did little for actual Muslims living in America. Enslaved Africans were brought involuntarily to this country and were forcibly kept from practicing their religion. Many of their descendants began to rediscover Islam in the early 20th century and were joined by an increasing number of Muslim immigrants after the Immigration and Nationality Act ended racial quotas on immigration in 1965. Along the way, converts with European ancestry added their numbers, as Muslims became the most diverse religious community in the United States. Although Muslims currently comprise only 1% of the American population today, their significance goes well beyond their numbers. From Thomas Jefferson, to Malcolm X, to the post 9/11 era, perceptions about Muslims have functioned as barometers of deep social and political anxieties. To carefully examine these anxieties is to expose major fault lines in the domestic and foreign policies of the United States. In this class, we’ll explore these tensions but will also look at the variety of ways in which Muslim Americans have flourished in America and contributed substantially to its intellectual and creative heritage. Material studied throughout the year will include examples from the rich body of American Muslim memoirs, social and political critique, theology, literature, poetry, and art. During the fall semester, students will meet with the instructor weekly for individual conferences. In the spring, conferences will take place on a biweekly basis.

The Qur’an declares itself to be a book “for those who believe in the unseen” and gives vivid descriptions of multiple worlds and beings that are invisible to the human eye. Muslims throughout the centuries have expanded upon this Qur’anic foundation in their explorations of what exists beyond, or at the very limits of, human perception and power. The course will examine writings from the past and present about supernatural jinn, angels, satanic beings, and heaven and hell. We will read about the visions and travels of individuals who claim to have accessed other worlds and beings through their dreams, altered states, near-death experiences, and magic. When a philosopher named Ibn Arabi declared in the 13th century that he could hear and understand the speech of animate and inanimate objects on Earth, was he engaging in fantastical, imaginative, deluded thinking or paranormal observation? How have academics and others who live in disenchanted spaces engaged with writings and practices that reject a purely materialist understanding of reality? How has scientific study in such areas as quantum physics and plant intelligence led to alternative ways of viewing what used to be called “primitive” thought? While course work will be looking at these questions and topics primarily through Muslim writings, individual conference projects could involve the exploration of these topics through the lenses of other traditions. No prior knowledge in Islam required.

The Qur’an declares itself to be a book “for those who believe in the unseen” and gives vivid descriptions of multiple worlds and beings that are invisible to the human eye. Muslims throughout the centuries have expanded upon this Qur’anic foundation in their explorations of what exists beyond or at the very limits of human perception and power. In this course, we will examine writings from the past and present about jinn, angels, satanic beings, and Heaven and Hell. We’ll read about the visions and travels of individuals who claim to have accessed other worlds and beings through their dreams, altered states, near-death experiences, and magic. When a philosopher named Ibn Arabi declared in the 13th century that he could hear and understand the speech of animate and inanimate objects on Earth, was he engaging in fantastical, imaginative, deluded thinking or paranormal observation? How have academics and others who live in disenchanted spaces engaged with writings and practices that reject a purely materialist understanding of reality? How has scientific study in such areas as quantum physics and plant intelligence led to alternative ways of viewing what used to be called “primitive” thought? While, in our class work, we’ll be looking at these questions and topics primarily through Muslim writings, individual conference projects could involve the exploration of these topics through the lenses of other traditions. No background in Islam is necessary for taking this seminar.

As growing numbers of people have turned away from institutional religions, many have turned instead to new forms of spirituality that freely adopt and adapt elements from long-standing traditions. One example of this can be seen in the explosion of publications and products related to the Persian-speaking poet Jalal al-Din Rumi (d. 1273). Short inspirational quotes attributed to Rumi (sometimes falsely) appear on car bumper stickers and in wedding vows, and day books provide collections of quotes to provide inspiration 365 days of the year. For those whose interest and curiosity leads them to want to dive deeper, there are study groups that meet in locations scattered throughout the world to read and discuss Rumi’s works together. Online courses provide spiritual programs based on the insights of Rumi. In this course, we will explore passages (in English translation) from Rumi’s major poetic and prose works to better understand what makes these writings so compelling for contemporary spiritual seekers. Although many of these seekers do not consider themselves as members of a particular religion, Rumi himself was a practicing Muslim; his six-volume poem, entitled Masnavi, has been labeled “the Qur’an in Persian.” We’ll look at translations that stay close to the particularities of Rumi’s Muslim background and the original Persian, as well as to those that take liberties in the interest of presenting what one author describes as “universal spiritual truths.” We’ll discuss whether this trend represents a distortion or appropriation of Rumi or whether it is part of the natural flow of an evolving spiritual tradition in new environments. The class will consist of one interactive lecture each week (maximum 30 students) and one weekly group conference (maximum 15 students each).

It has now been more than 20 years since the attacks on the World Trade Center and the Pentagon on September 11, 2001. How have perceptions changed about the events that occurred that day? Shortly after the attacks, then-President George W. Bush insisted that Islam was not to blame and, instead, framed the battle ahead as the “War on Terror.” But what about those who insisted that what had happened was an almost inevitable result of the “clash of civilizations”? How did Osama bin Laden and al-Qaeda frame the narrative and their part in it? What kinds of arguments were presented to justify the attack and the US military interventions that followed? In the wake of the 9/11 attacks, what has been called the “Islamophobia industry” developed and flourished, taking full advantage of new forms of media. What role has mainstream and alternative media played in how Muslims have been portrayed and the discrimination that they have faced in the years since 9/11? Ten years after the attacks, the 9/11 Memorial and Museum opened in New York City. How have this site and other memorials shaped the collective memory of the events, as well as the curriculum being taught to a generation born after 2001? In addition to the architects of these memorials, artists, writers, and filmmakers have explored the many religious, political, and social dimensions of the 9/11 attacks and their aftermath. How have these works of imagination expanded the ways in which people have made sense of, and found meaning in, painful events? While this seminar is being offered as a religion course at the College, the approach is an interdisciplinary one that draws upon readings and other materials from a variety of academic, artistic, and literary fields.

Is religion meant to protect the status quo or to challenge it? This course will examine individuals and groups that have experimented with ideas and practices that are designed to upend, in nonviolent ways, established paradigms and institutions. On the individual level, this might involve spiritual training along the lines of “crazy wisdom,” which is intended to destabilize the ordinary ways in which one views oneself and reality. It might also entail the adoption of monastic-like disciplines that stand in stark contrast to the materialist preoccupations of ordinary life. On the societal and political levels, religious innovators have created communities and movements that challenge the mainstream interpretations of their respective traditions or the norms of their societies. What distinguishes these individuals and groups is their strong commitment to ideas and practices that require fundamental and profound changes in individual, social, and political behaviors. These commitments are usually not considered a reinterpretation of scriptures and earlier teachings but, rather, a rediscovery of their most crucial elements. Whether flouting society’s conventions through holy madness or alternative communitarian practices—or contesting them through new theologies and political activism—these practices are understood as a type of spiritual work. Examples of this phenomenon will be taken from a variety of religious traditions and movements.

One of the greatest rock songs of all time, “Layla,” was written by Eric Clapton after he read the story of the star-crossed lovers Layla and Majnun. This tale of a Bedouin poet who went mad, after he was cut off from his beloved, circulated widely in Arabic sources for hundreds of years before being expanded into a long narrative poem in Persian by Nizami in the 12th century. By this point in time, telling compelling stories had become a means by which Sufi writers (the mystics of Islam) described their particular vision of being Muslim, which was that of the pitfalls, despairing moments, and ecstasies of the spiritual quest and search for closeness to the divine Beloved. Layla and Majnun were just one of several couples in allegorical stories that were understood as teaching vehicles for disciples on the path. On the opposite end of the plot spectrum, there is Ibn Tufyal’s famous story, Hayy ibn Yaqzan, a mystical-philosophical work in Arabic also written in the 12th century. It describes an abandoned baby growing up on a desert island, raised first by a deer and then by his own devices, as he slowly discovers the nature of the human-divine relationship. Other classical works dispensed with this format of the singular narrative opt, instead, for nesting stories within stories and mixing animal stories with stories about humans. We will look at examples of these literary techniques in translations of Farid ad-Din Attar’s Conference of the Birds and The Thousand and One Nights. What is common to all of the works that we will be reading in this class is the way in which storytelling here is rooted in a deeper dimension that explores the human potential for more refined behavior and ethics, as well as for higher spiritual states.

To watch a Muslim kiss the Qur’an is to recognize that this not a “book” in the ordinary sense of the word. There is an art to reciting its verses and an art to its calligraphy. The uncovering of its meanings has been variously understood by Muslims to be a matter of common sense, diligent scholarship, or profound inspiration. In this seminar, we will begin by studying the style and content of the Qur’an. Some of the themes that may be discussed are the nature and function of humans and supernatural beings, free will and determinism, the structure of this and other worlds, God’s attributes of mercy and wrath, gender and family relations, other religions, and the legitimate use of violence. We will also look at the types of literature that developed in response to the Qur’an in texts ranging from the entertaining stories of the prophets, to scholastic theological and philosophical analysis, to poetic mystical insights. Contemporary writings written by Muslims will be included that mine the riches of the classical heritage of Qur’anic exegesis while grappling with the difficulties of dealing with a text that originated in seventh-century Arabia.