William Catanzaro

Composer and multi-instrumentalist; recognition and funding from NEA, The Samuel S. Fels Fund, New York State Council on the Arts, Harkness Foundation, NYU Humanities Council, NYU Service/Learning Fund; commissions include choreographers Anna Sokolow, Steve Paxton, Viola Farber, Milton Myers; work presented nationally and internationally with the New Danish Dance Theatre, TanzFabrik Berlin, Amsterdam Theatreschool, Cyprus Festival, Teatro San Martin, The Alvin Ailey School, Philadanco, Player’s Project, Dallas Black Theatre, Jacob’s Pillow, DTW, and others. Former accompanist and teacher of music for dancers at The Juilliard School, Marymount Manhattan College, José Limón School, Martha Graham School, New York University. Current faculty at The Alvin Ailey School and Steps on Broadway; music director for the Young Dancemakers Company. SLC, 2003–

Undergraduate Courses 2021-2022

Dance

Music for Dancers: The Logic of Interaction

Component—Spring

This component will provide students with the opportunity to play a full array of percussion instruments from around the globe: African djembes, Brazilian zurdos, Argentinian bombo, Peruvian cajon and quijada, Indian tabla, traditional traps, and more. Students will also be able to program and execute electronic drums, such as the Wavedrum and Handsonic. The focus will be prevalent toward enhancing a dancer’s full knowledge of music but will expand the vocabulary for choreographers, actors, and composers, as well. The purpose of the component is to grant students the tools needed to fully immerse themselves in the understanding of the relation of music, dance, and the performing arts. Students will expand their knowledge of terminology and execution and will be able to learn the basic rudiments of notation. We will analyze the interaction of music from both intellectual and cultural points of view. We will learn how to scan musical scores with various degrees of complexity and explore the diverse rhythmic styles that have developed through time and through different geographical and social conditions. Classes will consist of group playing. All instruments will be provided and made available for practice.

Faculty

Graduate Courses 2021-2022

MFA Dance

Music for Dancers: The Logic of Interaction

Component—Spring

This component will provide students with the opportunity to play a full array of percussion instruments from around the globe: African djembes, Brazilian zurdos, Argentinian bombo, Peruvian cajon and quijada, Indian tabla, traditional traps, and more. Students will also be able to program and execute electronic drums, such as the Wavedrum and Handsonic. The focus will be prevalent toward enhancing a dancer’s full knowledge of music but will expand the vocabulary for choreographers, actors, and composers, as well. The purpose of the component is to grant students the tools needed to fully immerse themselves in the understanding of the relation of music, dance, and the performing arts. Students will expand their knowledge of terminology and execution and will be able to learn the basic rudiments of notation. We will analyze the interaction of music from both intellectual and cultural points of view. We will learn how to scan musical scores with various degrees of complexity and explore the diverse rhythmic styles that have developed through time and through different geographical and social conditions. Classes will consist of group playing. All instruments will be provided and made available for practice.

Faculty

Previous Courses

MFA Dance

Dance Making

Seminar—Year

Individual choreographic projects will be designed and directed by seniors and graduate students with special interest and experience in dance composition. Students and faculty will meet weekly to view works-in-progress and to discuss relevant artistic and practical problems. Whenever possible, the music for these projects, whether new or extant, will be performed live in concert. Dance Making students are encouraged to enroll in Lighting Design and Stagecraft for Dance.

Faculty

Music for Dancers

Seminar—Spring

The objective of this course is to grant dance students with the tools needed to fully understand the relationship between music and dance. Students will expand their knowledge of diverse musical elements, terminology, execution and procedures, and learn the basics of rhythmic notation.This course will provide students with the opportunity to play a full array of percussion instruments from around the globe: African djembes, Brazilian zurdos, Argentinean bombo, Indian tabla, electronic drums, etc. Students will also learn how to scan musical scores with various degrees of complexity and explore the diverse rhythmic styles that have developed through time in response to different geographical, social, and philosophical conditions. The focus will be prevalent towards a dancer’s full knowledge and understanding of music. All musical instruments will be provided.

Faculty

Dance

Music for Dancers: The Logic Behind Interaction

Component—Spring

This course will provide students with an opportunity to play a full array of percussion instruments from around the globe: African djembes, Brazilian zurdos, Argentinean bombo, Peruvian cajon and quijada, Indian tabla, traditional traps, and more. Students will also be able to program and execute electronic drums, such as the Wavedrum and Handsonic. The focus will be prevalent toward enhancing a dancer's full knowledge of music but also will expand the vocabulary for choreographers, actors, and composers as well. The course will grant students the tools needed to fully immerse themselves in the understanding of the relation of music, dance, and the performing arts. Students will expand their knowledge of terminology and execution and will be able to learn the basic rudiments of notation. We will analyze the interaction of music from intellectual and cultural points of view. We will learn how to scan musical scores with various degrees of complexity and explore the diverse rhythmic styles that have developed through time and through different geographical and social conditions. Classes will consist of group playing. All instruments will be provided and will also be available for practice.

Faculty