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The Collected Works of Cristle Collins Judd

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Books, Edited Volumes & Music Editions

Book cover with title "Reading Renaissance Music Theory" featuring a historical scene illustration.

Reading Renaissance Music Theory: Hearing with the Eyes

(Cambridge: Cambridge University Press, 2000), xxiv + 339. Winner of the 2001 Wallace Berry Award, Society for Music Theory. Reviews include Early Music, Early Music History, Journal of the American Musicological Society, Music Theory Spectrum, Musical Times, Muziektheorie, Renaissance Quarterly, Renaissance Studies, and Sixteenth Century Journal.

Musical Theory in the Renaissance

(London: Ashgate, 2013). Anthology. Editor and Introduction, xiii-xxx.

Tonal Structures in Early Music

(New York: Garland Publishing, 1998 [paperback 2000]), xi + 402. Editor. “Introduction: Analyzing Early Music,” 3–13. “Josquin’s Gospel Motets and Chant-Based Tonality,” 109–54. Winner of the 1999 Emerging Scholar Award, Society for Music Theory. Reviews include Music Analysis, Music Library Association Notes, Music and Letters, Music Theory Spectrum, and Renaissance Quarterly.

Cover of "Motets from the 1560s" by Gioseffo Zarlino, edited by Cristle Collins Judd and Katelijne Schiltz, published by A-R Editions.

Gioseffo Zarlino, Motets from the 1560s

Introduction and critical edition with Katelijne Schiltz, Recent Researches in Music of the Renaissance, (Madison, WI: A-R editions, 2015). [Companion recording: Gioseffo Zarlino, Modulationes sex vocum, Singer Pur, Oehms Classics (2013).]

Cover of "Motets from 1549" by Gioseffo Zarlino, Part 1. Edited by Cristle Collins Judd, published by A-R Editions, with a maroon border.

Gioseffo Zarlino, Canticum canticorum Salomonis

Introduction and critical edition, Recent Researches in Music of the Renaissance, (Madison, WI: A-R editions, 2006). [Companion recording Gioseffo Zarlino: Canticum canticorum salomonis, Ensemble Plus Ultra, Glossa GDG 921406 (2007).]

Cover of "Motets from 1549" by Gioseffo Zarlino, edited by Cristle Collins Judd, featuring eleven motets, published by A-R Editions, Inc.

Gioseffo Zarlino, Motets from Musici quinque vocum moduli (1549)

Introduction and critical edition, Recent Researches in Music of the Renaissance, (Madison, WI: A-R editions, 2007).

Selected Articles & Book Chapters

“To Discourse Learnedly and Compose Beautifully: Thoughts on Zarlino, Theory, and Practice,” Music Theory Online 19.3 (2013).
“‘How to Assign Note Values to Words’: Gioseffo Zarlino’s Pater Noster – Ave Maria (1549 and 1566),” in Musical Implications: Essays in Honor of Eugene Narmour, ed. Lawrence Bernstein and Alexander Rozin (New York: Pendragon, 2013), 225-54.
“Music in Dialogue: Conversational, Literary, and Didactic Discourse about Music in the Renaissance,” Journal of Music Theory 52 (2008 [2009]), 41-74.
“Si bona suscepimus: A Complex of Masses and Motets,” in Cristobal de Morales: Sources, Influences, Reception, ed. Owen Rees and Bernadette Nelson (London: Boydall and Brewer, 2007), 123–140.
“Learning to Compose in the 1540s: Gioseffo Zarlino’s Si bona suscepimus,” in Citation and Authority in Medieval and Renaissance Musical Culture: Learning from the Learned, ed. Suzie Clark and Elizabeth Eva Leech (London: Boydall and Brewer, 2006), 184–205.
“Renaissance Modal Theory: Theoretical, Compositional, and Editorial Perspectives,” in The Cambridge History of Western Music Theory, ed. Thomas Christensen (Cambridge: Cambridge University Press, 2002), 364–406.
“A Newly Recovered Eight-mode Motet Cycle: Zarlino’s Song of Songs Motets,” Théorie et analyse musicales 1450–1650, ed. Anne-Emmanuelle Ceulemans and Bonnie J. Blackburn (Louvain-le-Neuve, Université Catholique de Louvain, 2001) 229–70.
“The Dialogue of Past and Present: Approaches to Historical Music Theory,” Intégral 14/15 (2000/2001), 56-63.
“Musical Commonplace Books, Writing Theory, and ‘Silent Listening’: The Polyphonic Examples of Glarean’s Dodecachordon,” Musical Quarterly 82 (1998), 482–516.
“Introduction: Analyzing Early Music,” in Tonal Structures in Early Music, ed Cristle Collins Judd (New York: Garland Publishing, 1998), 3–13.
“Josquin’s Gospel Motets and Chant-Based Tonality,” in Tonal Structures in Early Music, ed Cristle Collins Judd (New York: Garland Publishing, 1998), 109–54. Winner of the 1999 Emerging Scholar Award, Society for Music Theory.
“Reading Aron Reading Petrucci,” Early Music History 14 (1995), 121–52.
“Modal Types and Ut, Re, Mi Tonalities: Tonal Coherence in Sacred Vocal Polyphony from about 1500,” Journal of the American Musicological Society 45 (1992), 428–67.
“Some Problems of Pre-Baroque Analysis: An Examination of Josquin’s Ave Maria … virgo serena,” Music Analysis 4 (1985), 201-39.
“Josquin des Prez: Salve regina (à 5),” in Mark Everist, ed., Models of Musical Analysis: Music before 1600 (Oxford: Blackwell, 1992), 114-53.