Sarah Lawrence College

Lifelong Learning

Plot Your Writing Journey with The Writing Institute

I will always be grateful for all I gained as a Writing Institute student. The workshops provided essential input that helped me turn my story from a rough draft into an agent-ready manuscript.

Barbara Solomon Josselsohn author of Secrets of the Italian Island

The Writing Institute offers workshops and classes to help you write your book. From generative sessions to get ideas flowing to full manuscript workshops, our workshops are meant to help writers at any stage. We’re always adding new classes to help writers tell their best stories.

Read on for more about our curriculum, with classes offered several times throughout the year, online and on campus. You can also view our current open classes and sign up for our newsletter to make sure you’re notified when we open registration for new classes. 

    • Have you ever thought someday I'll write a book? Do you have a story about your life waiting to unfold on the page?  In Beginner Memoir Generator with Janet Pfeffer, you will discover what it takes to begin.
    • Are you looking to generate new work about your past? Consider taking Memoir Generator: Life Stories for Ages 50+ with Cindy Beer-Fouhy . Students will write new pieces in response to prompts and class discussions. During the workshop,  students will have time to recall events and write and share their memories with others in the group.
    • If you have a great idea but haven’t put words to the page yet, Ines Rodrigues’ class Beginner Novel Generator  is the perfect class for you. Ines’s ten-week course is a well-balanced mix of workshop, craft lessons and lots of encouragement.
      Ready to sharpen your funny bone? Whether you want to write a laugh-out-loud satire or inject moments of levity into a serious topic, taking Janine Annet's Beginner Humor Writing is the perfect place to start!
    • If you have a great idea but haven’t put words to the page yet, Ines Rodrigues’ class Beginner Novel Generator  is the perfect class for you. Ines’s ten-week course is a well-balanced mix of workshop, craft lessons and lots of encouragement.
    • Have a draft but not sure where to go with it next? You’re not quite done, but you know your book—its heart, its plot, and what you think its ending will be. In Intermediate Novel & Memoir with Barbara Josselsohn, you will take a leap forward, finishing the class with an in-depth critique of your book plan and synopsis, as well as feedback on 50 full pages of your book.
    • Feel like you’re almost done and looking for feedback on your full manuscript? Advanced Novel & Memoir Workshop with Marcia Bradley is for you! This workshop is for more experienced writers in the process of completing and/or revising a manuscript or first draft of a full book of fiction, linked short stories, nonfiction, or memoir. Limited to six writers, you will have the unique opportunity for your full draft to be read and workshopped by others.
    • Have you ever thought someday I'll write a book?  Do you have a story about your life waiting to unfold on the page?  
    • In Beginner Memoir Generator with Janet Pfeffer, you will discover what it takes to begin.
    • Are you looking to generate new work about your past? Consider taking Life Stories: A Writing Workshop for Ages 50+ with Cindy Beer-Fouhy . Students will write new pieces in response to prompts and class discussions. During the workshop,  students will have time to recall events and write and share their memories with others in the group.
    • Selfhood and motherhood are two halves that make up the whole of many women. In Motherhood in Memoir with Terri Linton , students will examine works by writers that center motherhood as they explore our own motherhood journeys. Through generative writing prompts and workshopping of segments of works in progress, the class will offer feedback on ways in which writers can begin or further develop drafts. 
    • Have a draft but not sure where to go with it next? You’re not quite done, but you know your book—its heart, its plot, and what you think its ending will be. In Intermediate Novel & Memoir Workshop with Barbara Josselsohn, you will take a leap forward, finishing the class with an in-depth critique of your book plan and synopsis, as well as feedback on 50 full pages of your book.
    • Feel like you’re almost done and looking for feedback on your full manuscript? Advanced Novel & Memoir Workshop with Marcia Bradley is for you! This workshop is for more experienced writers in the process of completing and/or revising a manuscript or first draft of a full book of fiction, linked short stories, nonfiction, or memoir. Limited to six writers, you will have the unique opportunity for your full draft to be read and workshopped by others.

Success Stories

From novels to poetry, memoir to children’s literature, students of The Writing Institute often tell us they found their voice within our workshops. But, it may be more true that in our classes students become empowered to share words often long kept secret or locked away. Our teachers believe in every individual who attends The Writing Institute and sincerely appreciate the chance to help bring words to paper, paper to print, and stories to others. You can find our students published in journals and newspapers like Salon.com, Glimmer Train, Drift Magazine, and Poets & Writers. Many have gone on to publish books as well. We are proud of all our students and are delighted to display here just some of the books which began or grew from a galvanizing moment within our workshops.

A gray horse stands in front of an old stone mansion. The book title "A Rogue in Sheep's Clothing" is written in elegant font.

Elf Ahearn

"If I was going to try my hand at this writing gig, I needed to learn from the best. Ergo, I looked up Sarah Lawrence College, found an adult education class that was reasonably priced, and signed on the dotted line. Just so you know, I was a dreadful student in school, plagued with dyslexia during that golden time when the word hadn’t been invented yet, so learning was a colossal drag. [At The Writing Institute], for the first time in my life, I actually enjoyed going to school. Sarah Lawrence, bless its higher-education heart, was a life-changing experience, and I am externally grateful."

Book cover with purple background. Title "The Phoenix and the Dove" above an illustration of a phoenix. Author: Margaret G. Benedict, Ph.D.

Margaret G. Benedict

“Working with [instructors] in the writing workshops changed the way I think. They were always brilliant, good natured, and delightful to work with. Their positive approach to novel writing gave me the courage to find my voice. I will always be grateful.”

Book cover with a colorful patchwork flower design in the center. Title reads "The Morning After Summer" by Marion Brown.

Marion Brown

"At The Writing Institute, my instructors encouraged me to experiment with forms I would not have tried, and helped me collect a group of poems to form my first chapbook."

Book cover: "Love and Oranges" by Carla Carlson. Features an abstract painting of a reclining figure with textured patterns in the background.

Carla Carlson

“On a whim, I took a writing course... within minutes, I knew I had found something I needed to go forth. Suddenly, my stored experiences and hidden feelings had new meaning, and possibility, which was life-changing.”

Two smiling people stand together. One wears a red shirt with a ketchup design, the other a cap and sports jersey. Book title: "Ketchup is My Favorite Vegetable."

Liane Carter

"Writing by its very nature is solitary, but every writer reaches a point when it becomes critically important to share one’s work. [The Writing Institute] gave me exactly the structure, close reading, and support I needed to see my book through to completion."

Book cover titled "The Lapse" by Linda Hillman Chayes, featuring gold concentric arcs on a blue background with abstract shapes.

Linda Hillman Chayes

“I owe a great deal of my growth and development as a poet to my amazing teachers [at the Writing Institute].”

Person in blue shirt walks with dog on rocky beach near crashing waves; text reads "Split Rock: A Novel by Holly Hodder Eger."

Holly Hodder Eger

“My instructors at the Writing Institute gave me the discipline, deadlines, and feedback I craved, and their thoughtful prompts and required free writes became actual scenes in my book.”

Book cover of "Ms. Murphy's Makeover" by Jacqueline Goldstein, showing a person in a black dress with folded hands.

Jacqueline Goldstein

"I retired from many years of teaching high school English and thought, 'what next?' An ad in the New Yorker introduced me to the Writing Institute. I had to overcome a little hesitation, as a senior citizen, at the prospect of sharing my work with strangers, some of them many years my junior. But I took a chance, and found that the classes were safe, respectful places, where creativity could flourish. I was encouraged and nurtured. What a luxury, to become a learner again under the guidance of wonderful teachers and with the support of a terrific writing community. The launching of Ms. Murphy's Makeover at Sarah Lawrence was a highlight of my life. I encourage anyone who enjoys writing to join others who love to write at the Writing Institute."

A person holding a football with a blue butterfly resting on it, featuring the book title "The Penalty for Holding" by Georgette Gouveia.

Georgette Gouveia

"My new novel The Penalty for Holding—about a gay, biracial quarterback's search for identity in the NFL—was nominated for a Lambda Literary Award, and, I must say, I don't think this would've happened without The Writing Institute. It was there that I first pitched the idea and learned how to refine my pitch, which ultimately led to a contract with Less Than Three Press. The Writing Institute has also been invaluable in the pitching and development of the novel I'm working on now. It has my deepest appreciation."

Three smiling children sit outdoors in a vintage photo. The book title is "father mother god: My Journey Out of Christian Science" by Lucia Greenhouse.

Lucia Greenhouse

"Without the Art of Memoir class, fathermothergod would still be on the back burner. The Writing Institute provided the structure, the caring and insightful talent of a remarkable teacher and fellow writers, and a safe setting to probe difficult questions and find the right words."

Text on a white cover reads "Cold Crumbling" in blue and "poems Caroline Holme" in gray.

Caroline Holme

“I got serious about writing when I started at the Writing Institute in 2004. The instruction and example inspired and stimulated me.”

Book cover of "The Last Dreamer" by Barbara Solomon Josselsohn, featuring a silhouette of a person reaching out of a car at sunset.

Barbara Solomon Josselsohn

“I will always be grateful for all I gained as a Writing Institute student. The workshops provided essential input that helped me turn my story from a rough draft into an agent-ready manuscript.”

Book cover of "The Two-Family House" by Lynda Cohen Loigman, featuring a brick building facade with two windows and flower boxes.

Lynda Cohen Loigman

"I could not have written my novel without the guidance and support of my teacher and classmates at The Writing Institute."

Book cover art for "On the Rocks" by Rebecca Marks. A figure stands by a cliff with a house overlooking the sea at night.

Rebecca Marks

"I have been working with Writing Institute instructors for more than five years. Their guidance, support, and constructive criticism have been instrumental in my success at selling five novels, and I am forever grateful to them for helping me fulfill the dream of a lifetime!"

Book cover titled "In Search of the Luminous Heart" by Victoria Rivera McKinley, featuring images of people, ocean, and mountains.

Victoria Rivera McKinley

"I had the passion and commitment to write, but needed to build a foundation of knowledge, skills, and confidence to take off and move from dreaming to creation. Discovering The Writing Institute at Sarah Lawrence catapulted me into becoming the writer I wanted to be. Thank you so much to the wonderful staff that makes The Writing Institute at Sarah Lawrence possible.”

Book cover of "In the Heart of Texas" by Ginger McKnight-Chavers, depicting a road and open sky with a pink heart and title text.

Ginger McKnight-Chavers

“[My Writing Institute instructors] lit a fire under me to produce work, move my story forward, complete my first draft… All in an encouraging, inspiring environment with other wonderful writers.”

Orange and black book cover featuring abstract numbers and a face. Text: "Annabel Monaghan, A Girl Named Digit. Under cover, under pressure, underestimated."

Annabel Monaghan

"I came to the Novel Writing class at The Writing Institute with a lumpy first draft of a novel. The writing techniques and feedback that I got from my teachers and classmates turned it into a significantly less lumpy, published novel.”

Book cover with a stroller and text: "Worth the Weight" and "Eileen Palma." City skyline and trees at the bottom.

Eileen Palma

“I came to The Writing Institute in search of a writing community while improving my craft. My debut novel Worth the Weight was born at The Writing Institute and workshopped extensively in the Novel Workshop followed by the Advanced Novel Workshop…Not only did I improve my writing enough to get it to the professional level, I became part of a tight-knit community that has supported me every step of the way.”

Book cover of "Days of Bossa Nova" by Ines Rodrigues. It shows a watercolor cityscape with cars on a busy street.

Ines Rodrigues

“I always tell my friends that The Writing Institute changed my life. Before I moved to New York, I worked for many years as a journalist in Brazil, writing nonfiction in my native Portuguese, and dreaming of becoming a fiction writer. Who could imagine that my first novel would be published in English?

In the fall of 2010, I decided to click the register button and join a Novel Writing Class at The Writing Institute. I had a story in my head and many insecurities about writing in my second language. I found support, mentors, and true friends. I understood that my accent and my style should work on my side. Seven years later I published my novel, Days of Bossa Nova.

What I've learned at The Writing Institute is much more than techniques. I became part of a community of writers, I learned how to search for publication—dealing with the inevitable rejections—and how to discipline myself to keep writing.”

Book cover titled "Everything I Never Wanted: A Memoir of Excess" by Barbara Santarelli, featuring an ornate frame with a house image.

Barbara Santarelli

“After years of informally writing essays and journaling, I decided to venture into a formal writing course at Sarah Lawrence. "Get Over Yourself," a memoir writing course given by Sarah Saffian, gave me the basic tools, skills, and motivation to launch me to the next steps. I am so proud to be a published author. Thank you to my two "Sarah's."”

Book cover of "Rescuing Julia Twice" by Tina Traster, featuring two people outdoors and sleeping children in cribs in a dimly lit room.

Tina Traster

"Participating in memoir writing classes at The Writing Institute played a significant role in helping me germinate the idea for my book, Rescuing Julia Twice, and it gave me a forum to keep on track and stay motivated."

Illustrated book cover of "Play, Louis, Play!" shows a smiling child playing a trumpet on a giant piano, with city and musical notes.

Muriel Harris Weinstein

“The Writing Institute enriched my life… My time here has been fantastic. My time here has given me the courage to continue to write my books.”

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