BS, City University of New York. MA, Harvard University. PhD, University of Sao Paulo. Correia is a practicing architect and professor of design, history, and theory. She established her practice—Atelier of Architecture and Urban Design—in 2013, which has been dedicated to public architecture, exhibition design, interior design, and non-profit partnerships in the United States, Brazil, and Europe. She taught at Barnard College, The City College of New York, Columbia University, the Federal University of Rio de Janeiro, Harvard Graduate School of Design, Rhode Island School of Design (RISD), Pratt Institute, and Cal Poly. Her publications include the articles Watchful Solitude: John Hejduk and Venice (Drawing Matter, 2024), John Hejduk's Bye House: An Object in the Landscape (with Stan Allen, Drawing Matter, 2023), Ecological Urbanism in Latin America (co-edited with M. Mostafavi, G. Doherty, A. Duran and L. Valenzuela, Harvard GSD and GG, 2019), The National Museum beyond the Palace (Cultural Preservation Center Magazine of the University of Sao Paulo, 2022) and Tales of Invisibility: Exhibition Design between Architectures (P.M. Bardi Institute, 2022). SLC, 2026–
Previous Courses
Visual and Studio Arts
City and Nature
Open, Concept—Spring
ARTS 3365
This course will offer an introduction to fundamental discourses on the relationship between city and nature from the 20th and 21st centuries, bridging design, history, and theory. We will examine interpretations of “green” and other topics such as infrastructure, geography, and inhabitation. Case studies at both architectural and urban scales—including the cities of Los Angeles, Paris, New York, and Rio de Janeiro—will be integrated throughout the course. The objective is to situate students in the contemporary city and its recent history by engaging with its fields of opportunities (innovative, unique contemporary potentials) as well as its gaps, latent absences, and concealed inequalities. The course methodology will emphasize active participation through weekly readings and discussions. Coursework will interweave theory and design through the production of essays and drawings, supported by digital drawing workshops and presentations.
Faculty
Designed Transitions: Form and Ecology in the Dense City
Open, Studio—Fall
ARTS 3371
This design studio will investigate foundational design principles through the concept of transition, focusing on the exchange between built and natural environments. It will address this relationship in both physical and social dimensions, through a lens of ecology that involves individual and collective appropriation. The course will be structured into two modules that progress from the fundamental to the complex. In the first half of the semester, students will engage with typical elements of transition in architecture, such as windows, doors, and corridors to develop an architectural analysis that is at once documental (working with projective standards, scale, line weights, and precision) and experimental (explores the abstract potential of form to derive alternative interpretations of elemental types). The second half of the course will investigate transitions at an urban scale, focusing on types such as the street and the square. The studio’s pedagogical approach relies on conceptual inquiry and iterative design experimentation. Students will work both individually and in groups, integrating analog methods with advanced digital tools.